Heavy Metal: The Music 和Its Culture — Deena Weinstein

Heavy Metal: The Music 和Its Culture
由Deena Weinstein
368页。达卡波出版社。 $14

A broadly inclusive view at the public perception of heavy metal 和its fans which, although limited to mainstream music, captures the unstable origins of modern metal, this book provides a solid foundation for Weinstein’s comments on metal.

没意见

你病态吗? —汤姆·G·战士

你病态吗?
汤姆·G·战士(Tom G.Warrior)
360页。圣所出版。 $

Although somewhat scattered in focus due to its intense immersion in the personality of the writer 和the human emotions of its band, this book establishes the intent of Celtic Frost 和its predecessor, Hellhammer, 和explains the philosophies of unified concept 和music as a presentation of the ideology 和desires of an 艺术ist (stranded in a mortal body). While conversational in text 和often tedious, this retelling answers many fundamental Hessian questions.

没意见

20世纪摇滚乐:重金属—马丁·波普夫

20世纪摇滚乐:重金属
通过马丁·波波夫(Martin Popoff)
192页。收藏家指南出版公司 $

本书有点像金属,就像摇滚今天3d开奖号一样,这本书覆盖了许多金属’的优势在于讨论其与流行今天3d开奖号的共性。

没意见

重金属:一种文化社会学– Deena Weinstein

重金属:文化社会学
由Deena Weinstein
331页。列克星敦图书。 $

A reasonable summary of most academic study so far, which indulges heavy metal as an extreme offshoot of rock in which rebellion is the prime goal 和the fundamental ceremony is the concert. These failings aside, there is very perceptive research 这里 on the origins of heavy metal 和the personalities within its culture. The latter is most informative of all aspects in this book 和is Weinstein’作为作家的力量。

没意见

收藏者’的重金属指南—马丁·波普夫

收藏者’s重金属指南
通过马丁·波波夫(Martin Popoff)
544页。收藏家指南出版公司 $

Short 评论 talking 关于 the emotions 和social significance of heavy metal bands are Popoff’s strength, 和he through a fragmented view into hundreds of bands reveals a culture in transition. Including a reasonable small selection of underground metal.

没意见

金矿’的重金属价格指南—马丁·波普夫

金矿’s重金属价格指南
通过马丁·波波夫(Martin Popoff)
368页。克劳斯出版物。 $ 

For those who want to enter the intricate world of collecting, an experienced metal journalist outlines the significance 和comparative value of classic metal releases of interest to collectors.

没意见

全球金属

(塞维利亚影业,2008年,90分钟, $10)

人类学家萨邓恩(M Dunn)乘飞机前往世界各地重金属蓬勃发展的地方。在这样做的过程中,他承认该类型已经从西方的发展运动过渡到已经成熟的类型,现在已成为其他人的另一种声音。确实,当他拜访反宗教的金属头,宗教的金属头,反犹太复国主义的金属头和犹太复国主义的金属头,青少年反叛者以及正在为自己的祖传文化寻求声音的人们可以与西方蓬勃发展的声音竞争时,邓恩发现了金属的变化。它不再被全球观众吸收,而是被全球观众改变。为此,他通过叙述性很强的故事来讲述导演的许多镜头,经常使用他困惑的扑克脸无辜地戳出可能存在麻烦的地方。他知道采访本身就是一部无聊的纪录片,因此他在巡回演出中穿插了一些摄影作品,向我们展示了这些不同地方的广阔与美丽,以及今天3d开奖号录像带,其中大多包含来自各个地点的今天3d开奖号会镜头。明智的选择是避免“norming”通过强调我们的地方’都是相同的消息。邓恩(Dunn)让他的相机和被摄对象讲话,尽管他的频繁配音涵盖了我们的典型教条’重新习惯于听:金属是关于自我表达,自由,言论自由,成为个人等。但是随着时间的流逝,我们看到金属如何成为一个接受个体的群体’渴望愤怒并自己弄清事情。邓恩’最后的叙述肯定了这一点:金属是一种世界范围的亚文化,人们所属的国家比其国家的政治更为重要。就像通过他的眼睛一样,金属在现代世界上是一种愤怒,它在狂躁的对权力和商业的渴望中吸收了文化,而全世界的黑森州叛乱力量正在通过首先使自己远离文化来夺回文化。对于一个人,当人们面对国家政权时,对他们的机智倾向自以为是的愤世嫉俗,许多接受采访的人都是表面上的对待者,这是对邓恩的普遍批评’我们都听过的电影。他以使人们容易接近的名义,将人类学推向了反而倾向于沉迷运动本身的力量。现在,那个’s not half bad.

没意见

黑暗星球:美国的愿景

(光明会,2005,120分钟, $10)

四种流派 在《黑暗星球》中讨论–直尺,光头,黑金属和狂热者–展示自己作为我们设想未来的主流方式的替代方案。与大多数消费者生活在正常的辛普森一家式的幸福遗忘中不同,这些青年文化团体认为,我们目前的道路会导致毁灭,并正在形成脱离社会。幸运的是,这部电影拍了纪录片’局外人对待局外人的微妙方法:观察,提出逻辑问题,然后布吉。这是他们采取这种方法的强大力量:他们能够像人类学家那样对待这些文化,而无需判断或担心自己的政治前途,因为他们一视同仁。如果您问这位评论者,那么狂热者—分离主义基督教思想家— really run away with the show 通过 having a clear plan unlike the other three groups. Their culture, based in distorted loud music as well as the other three, emphasizes a rising above instead of a fighting back or burning the world. Like the other groups, however, their methods do not seem particularly effective. Seeing these movements compared helps us see the point of this film: that many 人 agree things are going wrong, but have no idea what to do 关于 it because the insider mainstream is never going to budge from its position of convenience-first, so 人 are creating alternate societies within societies. This film like all good documentaries provides a visual feast of information with an aftertaste of introspection.

没意见

Interview: Sanguine A. Nocturne 和Wrath Satariel Diabolus (Averse Sefira)

在来自北欧以外地区的乐队中,很少有人像德克萨斯州的奥斯丁那样有争议但在艺术上有收获’s 厌恶塞菲拉. Having their genesis in the era before credulous emulators gagged the 黑金属 community with sound-alike hardcore music dressed up as 黑金属, 厌恶塞菲拉 create 黑金属 艺术 in the older style, inspired 通过 Norse 和Brazilian 黑金属 from the late 1980s 和early 1990s, which puts them at odds with most of their contemporaries who like to make the more generic, less musically-complex “black metal”自从1999年以来,这种今天3d开奖号就变得很流行。毫不畏惧,Averse Sefira的勇士们在创造神秘,崇高,无悔的恶毒金属今天3d开奖号的道路上前进了一步,这种今天3d开奖号比竞争对手具有更强的影响力。

其他客人面试问题 这里,由Tyler Gebar提供。

What drew you to 黑金属 和not jazz or punk or ambient or baroque, or more properly stated, what drew you to 黑金属 more than these other forms (thus forced a decision)?

SANGUINE:我一直觉得自己被Metal吸引了,自从我变得更加清晰,我就一直追求自己的声音,在我离Black Metal越近的时候,它就具有意义和表达。这是一次穿越《 Genrefication》初衷的旅程,一次穿越Thrash Metal和Speed Metal,Death Metal和Grindcore的旅程,直到有一天我被扮演了Black Metal。然后变得很清楚,如果您愿意的话,顿悟。我了解声音。当我沉浸在声音中时,我开始阅读并理解声音中包含的含义。那就是我一生中所拥有的意思。在我探索的今天3d开奖号中,没有其他东西能够将“内部”和“声音”融合在一起。对我而言,古典,环境和工业对我而言是实现联盟的第二名,但是在这些形式中,有一些心态令我感到陌生和难以理解,就像那些阵营的奉献者常常永远不会完全理解黑森州一样。

厌恶塞菲拉 is one of a half-handful of north american bands who create something other than 三弦朋克 disguised as 黑金属. What drives you to take a mental vision 和project it through music, instead of creating a variant on known musical patterns? How did you collaborate on this vision, 和what was the course of its evolution?

WRATH: In regards to initial architecture very little was based on anything else besides instinct. Sanguine 和I were ardent followers of metal in general 和accordingly we endeavored in what seemed correct 和effective at the time. Very often 人 ask 关于 our affinity for Voivod, which I find interesting considering they were not an influence at all. Most listeners hear an odd timing structure or a false stop in metal 和they immediately reference the more technical bands when in truth our chief influence was Immolation in regards to structures. Even with that in mind I do not feel we share a sound in common. Sanguine learned to play traditional folk guitar long before he played extreme music, 和both of us had an affinity for classical music as well. I think our decision to draw upon a wide palette of influences rather than aspire to be a variant of one specific band our style gave us a foundation that allowed for continuing innovation 和exploration. 我不’非常了解成为一个乐队的愿望,该乐队公然重申了另一项既定的行为,其工作将始终保持卓越。为什么不只是一个乐队呢?它涉及较少的初始计划,而需要更多的立即满足(例如这样)。我感到这样的想法,即我们很少像任何一支乐队一样被解雇。如果您阅读了我们的评论,我们将与不朽,不朽,玛杜克,献祭以及介于两者之间的所有事物进行比较。解决“three-chord punk”方面,这似乎是极简主义被误认为是基本方法的征兆。两者不过是同义词,但却为无用的业余主义打开了大门,谢天谢地,其中的大多数很快被忽略并被抛弃。

激发您在Averse Sefira中成长的能量与您感受到的其他能量有何不同?

SANGUINE: 黑金属 is like lightning striking you, the resultant chemical 和electrical disruptions alter perceptions 和break down barriers between the Terrestrial, the Celestial 和the Void. 厌恶塞菲拉 being an eruptive living presence is a magnification of these disruptions. It becomes a symbiotic relationship sometimes guiding, sometimes being guided.

When did you first get into music, 和what are your memories of what attracted you to it? Also, when did you first hear metal 和what did you like 关于 it? What was the progress of your moving from outside to inside the genre, as first a fan 和then a musician?

沃思:我对今天3d开奖号的最初兴趣是古典今天3d开奖号,那是我三岁那年开始的。穆索尔斯基’s “裸山之夜”是一个天才的作品,首先激发了我对“evil”今天3d开奖号。贝多芬和莫扎特以及爱丽丝·库珀也是标准。但是,到了1986年左右,我渴望找到更多的东西–到那时,我是一个生气勃勃,精力充沛,荷尔蒙补充的年轻人,’甚至还不够大,可以开车。这就是Metallica,DRI,炭疽,凯尔特弗罗斯特,Slayer,Sodom,Bathory和Iron Maiden的匹配点。“我内心的噪音”(换句话说,就是我们勤奋的吉他手)。这是充满精神,信念,侵略性和希望的今天3d开奖号。因此,我发现了一种范式,这种范式在以后的岁月中成为配乐,直到现在仍在继续。直到15岁之前,我还是一个迷。后来我大跌眼镜,开始学习吉他。我们的第一个乐队成立于我们所有人之前,他们确实精通,但原始人才的方式很多。

在时间上,每时每刻都取决于前一刻。在这里,作为继承法则的存在的理由或理由是如此简单,因为时间只有一个维度。因此,其中不可能有任何关系的多样性或多重性。每一个时刻都取决于前一个时刻;只有通过那个前任才能到达这一刻。仅在其他过去和过去的范围内。所有的计数都依赖于时间的这种联系,其用语仅是标记继承的单个阶段。因此,整个算术都依赖于它,这是一门科学,除了有条理的计数缩写外,什么也没教。每个数字都以前面的数字为前提或理由。我只能通过前面所有的数字才能达到十。仅凭对存在基础的这种洞察力,我才知道那里有十个,那里八个,六个,四个。

–亚瑟·叔本华 论充分理性原则的四重根源

What music besides 黑金属 inspires you most profoundly?

SANGUINE: Primitive chants from earlier times 和Classical music. At extremes, these two forms are radical expressions of 虚空。 Music is a sensual 和encompassing experience. The most meaningful displays of it envelop the listener causing a bubble of separate reality to form. This subset of reality wires into every fibre of being 和folds the dimensions of existence until the intersection of the mundane intrudes at the end.

是什么首先吸引您加入乐队–是工具方面,结构方面(声音,语调)还是结构方面?

WRATH: It really depends. Often it is a combination of the elements, though I am quite a seeker of unique 和convincing vocal styles. This is how I got into Antaeus, Old Wainds, Funeral Mist (the vocals on their latest are unreal), 和even Immortal actually. I like bands that right upon first listen come across as a sum of their parts. This is in the end how ensemble music is intended.

What do you believe is the root of 艺术istic conception? (examples: some say it is simply recontextualizing two forms not normally superimposed upon one another, 和that this is the root of all creativity; others say it is simply a sound; some argue the mechanism is understood first; all may be explaining their own phenomenon without getting close to an objective theory)

SANGUINE:对我来说,艺术观念的根源是DDIIVVIINNEE的表达。对于那些无法避免使用此词的人,请插入“the Void.” The 艺术ist is called or taps into the Void 和finds continual ways to channel 和express it. This expression can come in the form of straight religious contextualization or it can be channeled through ideology; although there is much evidence to support a feedback loop between the two (ideology vectoring religion, religion vectoring ideology.)

Music is formed of sound, 艺术 of visual impulse, warfare of the physical 和words of the abstract; what realization impelled you to join all four disciplines in your 艺术istic concept?

WRATH:来自乐队 ’s inception it seemed that total committal 和immersion in the 艺术 was the only option. We have always prided ourselves in our conceptual completeness. Different facets of this paradigm are expressed in different venues as the visual design 和auditory aspects predominate the albums themselves, while the physical component only writhes 和poisons in a live setting. This is a form of psychic alchemy; we combine the needed elements to devise something precious 和otherwise unattainable.

在今天3d开奖号中,信号的识别是定义形式还是形式定义信号?这可能是方法问题,还是硬连接到人类意识中?

SANGUINE:答案介于两者之间。世界各地的发展中儿童将参加展览“music making” or “songwriting” occurrences in an informal manner. They explore rhythm making 和melody often without initiation 通过 the parent or group or exposure to more formal musical induction. At some point, all that is naturally occurring within our primal systems, gets written over when someone sits us down 和says “这就是今天3d开奖号。 ” The conditionings leafed over what exists within us takes over 和for the most part we become dependant on approach.

In chaos theory we speak of dimensionality as levels of abstraction of repetition of detail; it works in a similar way to computer compression algorithms, which note repeated patterns 和assign them a token which takes up less space than the original pattern. Usually the patterns being compressed or abstracted are organized around divisions into two, as for every recognizable thing it can fragment into two halves or recombine a self 和an other. How do you think this applies to methods in 黑金属 作曲 for getting closer to a dominant theme or melody without repeating it?

Sanguine:人类分别存在于方法,思想,态度和情感的内部矩阵中,它们在不同的点处汇合和盘旋,在此过程中产生奇怪的关系和联想。 (更不用说如何在特定的时刻根据小组成员的行为来改变他们的行为或改变他们的行为了。)他们似乎倾向于两三两两。这也许可以解释沙漠宗教的二元道德观念所吸引的混乱的肉食数量。这些偶数在内部令人愉悦。常规的2 / 4、4 / 4拍号在大多数歌曲结构中占主导地位,并且容易被“被动者”抓住,并且被那些寻求在尽可能宽的频带(即使是选择性的)上传递的人轻易使用。也许它形成了强化主题的无声助记符系统?

今天3d开奖号写作似乎与牛顿有着千丝万缕的联系,因为如果东西涨了,就一定会掉下来(反之亦然)。“riff A出现了三次,第四次出现在riff B中。” The only beings that have come near to writing music interwoven with Quantum Physics are Acerbus. I am amazed that 人 are even able to write music at all, 和I have no idea how they do it. I operate with modular components that I call “sets.”一组通常是两个或多个以某种逻辑方式互相称赞的即兴重复段,基于这种巨大的无法量化的过程,有很多过程:“feeling.”这些组件是模块化的,可以放在歌曲中的任何位置,并构成乐曲的基本主题。他们可以重复任意次数,并根据需要施加变化,例如,当歌曲接近总和时,A设置返回,但倒退播放,降低音量。

我还想到与主题周围形状有关的歌曲。诸如StiGr.39s或皮肤Xtain扭曲的骨头,着火的天体之类的东西,这些图像在翻译成今天3d开奖号形式时令人回味。我正在尝试的一件事是构造类似于DNA结构的集:吉他上的riff集形成一个螺旋半部,而低音组上的riff集形成另一个螺旋半部,而鼓作为糖将其连接在一起。自动机或ma的构造也许也是一个合适的比喻:一部分是骨骼,一部分是肌肉,一部分是肉,一部分是电力。神秘乐队经常渴望或应该在今天3d开奖号中捕捉他们召唤/魔术/开场的本质,而不仅仅是演奏Rock,并说这是仪式的体现。虽然再次,这将解释为什么四分之一的痴迷…毕竟,黑金属是黑魔法,而是今天3d开奖号。

The first time I came to men I committed the folly of hermits, the great folly: I stood in the market place. And as I spoke to all, I spoke to none. But in the evening, tightrope walkers 和corpses were my companions; 和I myself was almost a corpse. But with the new morning a new truth came to me: I learned to say, “Of what concern to me are market 和mob 和mob noise 和long mob ears?”

你们这些高级人士,请向我学习:在市场上没有人相信高级人士。如果您想在那儿讲话,那就很好!但是暴民眨了眨眼:“We are all equal.”

“You higher men” –从而使暴民眨眼– “没有更高的人,我们都是平等的,人就是人。在上帝面前,我们都是平等的。”

在上帝面前!但是现在这个神已经死了。在暴民之前,我们不想平等。你们这些较高的人,远离市场!

– F.W. Nietzsche, 因此说出Zarathustra

您是否认为1996年前的(北欧)黑金属乐队持这种观点?如果是这样,那是他们的主要观点吗?–他们信仰的总结–还是他们用来传达信仰的符号之一?

WRATH: In the time of their greatness, I believe the seminal acts of the region followed these ideals indeed. Regardless, it was their promotion of such things that spoke to us 和inspired us to make our own bid as a band. I agree that much of the message was symbolic. The traditional idea of music in general is using 艺术 to convey meaning. At their best, the “black circle”乐队在结合这些元素方面非常有效。自成立以来,我们一直在这种模式下努力工作—符号代表着更大的动机。

How does nature respond to change, in your broad 和esoteric experience?

SANGUINE: Nature adapts 和ultimately overcomes 和destroys, albeit very slowly. Witness the grass growing up from underneath sidewalks, or the tree that has grown over the gravestone. Nature has a much longer longevity than humanity 和thus can act at its leisure. Humanity is doomed to scurry around trying to kill immortality in pursuit of its own immortality.

Why are there suddenly so many 黑金属 bands? (this question dates from 1998)

WRATH: The simplest answer seems to be that it has become a trend, though I think a more accurate answer is that more than ever 人 justify themselves 通过 the attention they get from others. We live in a society full of reality TV shows 和we watch complete morons blunder into pseudo-celebrity. A large problem with the current underground (and again I refer mostly to the internet scene) is that everyone claims to be a society-loathing misanthrope who has no interest in the world at large, but then an alarming majority of these 人 demonstrate just how much the culture they deride has gotten to them. I am constantly amazed at how often I encounter christianized mentalities 和the thin rationalizations used to justify them. Getting back to the main point, nobody in metal is interested in making music for oneself anymore. It becomes a process of picking a recombinant band name, writing some recombinant songs, then imploring 人 to buy a copy of your brand new CD-R. As a side note, I would really be impressed to see a new 黑金属 band who went to the trouble to print cassettes 和include an inlay card if anything because it would prove that they cared 关于 making an effort.

虽然混乱’s “De Mysteriis Dom Sathanas”在今天3d开奖号上可以说比《黑暗宝座》更传统’s “特兰西瓦尼亚饥饿,” both possess a spirit that is difficult to quantify in the typing that allows us to divide genre 和lineage in popular music. What is this essential quality 和why is it that some bands have it 和others do not, to varying degrees?

SANGUINE: The Void calls to some 和the others simply see what the chosen do 和mimic it thinking that they bear truth as well. Both albums represent the moment of death for 黑金属 in triumphant explosion, an attempt to shut off 黑金属 from those who would soil what it offers. The gate was never fully sealed 和Black Metal 和the Void continue to call 和pull a select few to it. There are those that hear the call more clearly, it remains one of those “unquantifiables.”

最重要的是,具有严重信念的乐队要比那些因某些人表示愿意而被定罪或声称拥有信念的乐队更接近虚无。的“I don’不知道什么是艺术,但我知道我喜欢什么”论据抬起头来,尽管在这种情况下它变成了类似“解释为什么一个频段引导Void,而另一个频段不难量化,确定性在于聆听,专辑开始转动时太阳神经丛之间的感觉如何。” Once again, “feeling”很重要感觉和信念。要向MkM借用,您的艺术作品必须来自于您的每一条生命,它必须是您的本质,您必须呕吐它以供所有人欣赏。

The philosopher F.W. Nietzsche posited that western society is collapsing under a wave of liberalization that began with the adoption of Christianity 通过 the Roman empire, a wave that has continued into the secular sector. Where do you think the original 黑金属 impetus in Norway stood in regards to this issue, 和where does 黑金属 now stand regarding it? What is your personal view of Nietzsche’s summation?

沃思:很少有人能聪明地认识到基督教是一种思考方式,现在比以往任何时候都更加重要。人们仍然可以被基督教化,从不祈祷,踏上教堂,甚至不信耶和华。基督教徒要求即使在没有根据的情况下,也要对每个人都给予同样的尊重和优点。使基督徒合理化的行为是公然反对的,这些行为与自称的信仰是公然对立的,地下最常见的例子是反基督教,但还有其他重要的基督教徒(大多数人毫无疑问会得到他们所能得到的一切)。即使很明显目的并不能证明手段是妥协的,基督教徒还是妥协了。不管北欧乐队是否真正坚持自己的理想,他们的今天3d开奖号和言辞都坚决反对。真正读过Euronymous的人太少’任务陈述,并了解其意图。挪威运动的目的是制止当前局势的门户开放政策,并实施并非针对所有人的新变化。在这里,我们再次回到精英主义的思想以及为什么它如此必要。如前所述,传统的地下无论好坏,仍然保持着这些价值,因为当喜乐的人继续妨碍时,通常会严格这样做。我同意尼采’在这方面的展望;在美国尤其如此,基督教信仰长期以来一直在颠覆更明智和实用的手段和价值观。这里的事情不再顺利进行,因为“being fair” or worrying 关于 “people’s 感觉s”达成任何事情都会破坏常识。相反,整个模型是虚幻的,因为很少有执行这些约定的人真正相信它们。他们假定旁边的人这样做,因此,他们采取的立场将确保最少的判决或制裁。从最基本的意义上讲,这是基督教的奴役,以期获得含糊不清的报酬。

You were one of the first 人 in America to embrace 黑金属, at a time when most metalheads still referred to 黑金属 as “faggot music.”您掌握了别人看不到的什么愿景?

WRATH: More correctly, I like to think I was part of a handful of 人 in the US to first tout 黑金属 in a public forum, mine being a radio show. I did indeed hear many “faggot music”评论(而且仍然如此,有趣的是)。自从我们在本篇文章中确立以来,让我着迷的是经典唱片中所投射的精神,美学和整体氛围的结合。我认为这是新的复兴,是向前迈出的一步,也是我们振兴停滞的地下室的最大希望(为此,’值得,只是发生了一点)。再说一次,我总是比窒息或食人尸体更喜欢Deicide和Morbid Angel,所以可以说,信念和创新总是引起我的注意。

我认识你’re aware of occult, philosophical 和musical leanings of many cultures. In your cross-cultural studies, what common threads have you found that are most applicable to the formation of human ideals?

SANGUINE:万神殿发生在世界各地,与自然循环和宇宙阴谋息息相关。遵循平衡原则制定的生活准则有很多普遍存在“virtues” 和“taboos;” these idealy would ensure the survival of the society if adhered to. Societies themselves almost universally had classes for priests, classes for warriors, classes for merchants 和artisans, farmers 和so on. Everyone had a place 和was essential to maintaining continuance. If you were not part of the society, you were the sacrifice that kept the sun rising 和the next cycle beginning. These days, society is not going to collapse if you eat pork, or foods that are specially prepared. These days, there is not always a place for 人. These days the divisions between tribes are being purposely blurred so that everyone thinks that everyone is the same, everyone can be anything they want. These days everyone seems content to be useless.

What do you think is the major difference between first-wave Norwegian 黑金属 和the current crop of worldwide “BM”?

瓦特:发掘挪威风光的时候,他们并不属于全球运动或互联网社区。这是在功绩,才能和远见上的地位。现在形成的乐队很少有这种精神,但是他们再次不再需要这种精神。黑金属,尤其是在各州,已经成为一个非常宽容和宽容的实体。十年前,合法性与访问金属留言板的时间无关。在这一点上,对于某人来说,简单地宣布自己拥有一支乐队并等待其赞誉就更简单了,而不是朝着自己的成就努力。皇帝不穿衣服,现在已经有一段时间了。许多人会对我参与地下的其他项目,乐队和实体感到惊讶。我的名字总是存在,但是不需要引起我的更多关注。我为自己的贡献感到自豪,这已经绰绰有余,如果能获得赞美,那么我想知道我正确地赢得了他们,而不是在事实之前就认为我应得的。

这里最相关的[文化因素]是语言。总的来说,科学话语是其理想的唯一性—一个字,一个意思。与该目标紧密相关的是,一种语言纯粹是工具性的存在或可以被伪造的信念。清楚而明确地,它将向世界传达说话者或作家打算说的话。具有讽刺意味的是,罗兰·巴特(Roland Barthes)(Rustle)认为科学可以拥有一种奴隶语言,服从并服从其要求。但是,任何认真研究语言的工作原理的人都知道,即​​使语言表达了思想,语言还是会形成形状。现在有令人印象深刻的工作,探讨隐喻,叙事模式,修辞结构,语法和语义领域如何影响科学话语和思想。…语言不是一种被动的工具,而是与一种具有自己的潮流,阻力,颠覆,赋能,途径,障碍的重要媒介的积极交往。一旦通过语言传达发现,它也将由语言构成。

–N.凯瑟琳·海尔斯, Complex Dynamics in Literature 和Science p。 5(1991)

稍作支持,在1980年代中期,Bathory和Celtic Frost用一种金属形式震惊了世界,就其基本和磨碎的和弦即兴演奏而言,这既是最简单的,又是最复杂的,因为它上演了像歌剧一样,将视觉呈现与今天3d开奖号形式的概念统一起来。这类似于古希腊对今天3d开奖号的使用,在古希腊,人们认为今天3d开奖号本身没有附带的故事情节和戏剧表演,只是部分完成了。您认为该观点如何带回西方的知识货币?

沃思:似乎这些人对自己的血统和传统充满了健康的迷恋,并很快意识到,这种存在已不再是可行的,因为它是经过长期擦除的行业和犹太教徒的习俗。有什么比通过感染性但明显具有侵略性的今天3d开奖号进行投射更好的复活神话和奇迹的方法呢?为了使我们的艺术品牌具有任何真正的价值,它必须传达意义。就我们而言,我们设计的角色和今天3d开奖号比我们自己要大得多;厌恶塞菲拉本身就是一个实体。沉浸是使今天3d开奖号充满活力的原因,是使子弹带中一个刚硬的家伙变成了叫Quorthon的喷火恶魔,或者是一个把吉他撕成碎片的咕unt机器叫Tom G. Warrior。艺术就是意义,其他什么都只是娱乐。这种体裁的最早的提供者理解了这一点,并且他们坚持创造超越工作日的生活和世界惯例的东西,尽管他们渴望更多更好的生活方式。这就是为什么Averse Sefira始终会出现在油漆和钉鞋中的原因,我们将一直努力进行涉及的设计和展示,我们将在展示中始终包罗万象。今天3d开奖号是基础,但在Black Metal中,无论多么简约,美学始终至关重要。那些声称玩黑金属但仍然不玩的人’不能理解这种范例应该构成AC / DC致敬乐队并穿着街头服装在舞台上表演。

I understand that unlike many 黑金属lers, you embrace both higher education 和a personal sense of honor. How does this jive with the post-1996 attitude of many fans 和third-string musicians that 黑金属 should be 关于 “total darkness 和hate, 和total suicidal agony”?

WRATH:黑金属应该是关于完全黑暗和仇恨等的东西,但也许不是绝对的。假设一个人理解为什么如此重要,那么吹捧这样的想法是很好的。问题在于,大多数能很快主张这些概念的人都代替了任何生产性或艺术性的人。任何胆小鬼和/或白痴都可以反流“widely accepted”以陈词滥调为借口,不给餐桌带来任何有用的东西。宿命论很容易,因为它消除了问责制,在临时理想中,诸如荣誉,毅力,想象力,信念和团结等都落在了后面。结果是那些大声说话而几乎不奉献的人开始压制这一运动。他们有大量空洞的言论,这以某种方式使他们免于一开始就被孤立和孤立。 21世纪的一个征兆是,最低的公分母定义了事物的轨迹,而且黑金属似乎也无法幸免。就我们而言,上述“strength 和honor”今天3d开奖号的各个方面使它值得。我们在这一运动中认识和尊重的人也在这种范例中相信和实践,因此,他们被称为盟友。所有其他人都应该对自己诚实,然后重新听一听。

大学最好的部分是什么?

SANGUINE: I think the best part of college is the appreciation one gains ex post facto for how much was truly useless 和how they would do things differently. It is kind of bittersweet, the experience. I enjoyed it but in hindsight it was not unlike a rodeo with textbooks. There is a great destruction involved on many levels.

It seems to me that death metal started with grand ambitions (Altars Of Madness, Legion) 和then lapsed into the same mindless three-chord bashing that has always characterized bad metal bands; 黑金属 was a breath of fresh air, but now so many of these bands have adopted the cloak of “Transilvanian Hunger” 和are doing the same thing. What engenders this cycle? Should it be “stopped”?

WRATH: It seems so many 人 have looked at a band like Darkthrone 和believed that the key to the music was to keep it one-dimensional. They never realized that in minimalism it is often implication that completes intent. Why is “Transylvanian Hunger”辉煌而其他三弦专辑不是吗?这是深奥的基础,并将本来会是重复且制作不佳的专辑制作成开创性的作品。但是,当其他乐队模仿这种方法时,结果是透明的,并且专辑制作不佳。您不会遇到很多愿意花时间寻找自己的声音并提高自己的工艺水平的人。我们生活在一个二十四小时的社会中,在商品热,热,热的时候,所有事物都必须快速跟踪并推向市场!因此,我们目睹了无数的白痴,他们认为白痴明天需要将自己的Black Metal乐队加入CD-R,而Darkthrone是 ’很难模仿,那为什么不这样做呢?当我们发现第一张Deicide专辑中的大多数内容都很容易演奏时,我们的鼓手实际上总结得最好,但他从来没有想过。它’皇帝转过身,使所有有抱负的模仿者与“黄昏时的威尔金国歌”。他们想确保对这种事情关上门。因此,对于简短的回答,应该停止。我也认为Darkthrone应该停止杰出表现,并找到其他事情要做。

What do you think is the lineage of 黑金属, 和what are its major influences outside of the genre (or even outside music)?

SANGUINE:您还记得大创世纪之前的时候,那是全金属的吗?在某个时候,有人说,“THAT’s Speed Metal, 那’s Death Metal, 那’的Thrash Metal,这个新东西’s called Grindcore,” 和in the murky depths of fanzinedom, some one said, “所多玛,毒液,巴斯里,石棺,五角星,贝莱特,亵渎,神秘主义者,大师’的锤子,这些家伙是黑金属! (好吧,这些人本来是在做《黑金属》的;不朽,暗王,Bvrzvm,Emporer,Mayhem,这些人是{True!}黑金属!”

“为什么是黑金属?是什么使它如此呢?”难以置信的问。

“Because it’s SATANIC!”发电机说。

“这样就产生了Decide,Morbid Angel,Incantation,ad nasum和Black Metal乐队。”

“Oh no! They are Death Metal bands! They have a more chromatic chord base, double bass blasts 和low, growling vocals.”

“啊!那么,这些新乐队(来自撒丁岛/来自斯堪的纳维亚半岛)的黑金属又是什么呢?”

“The guitars are more melodic, they blast with a single kick, 和the vocals are pitched higher. And they have paint 和spikes 和burn churches some of them. The Death Metal guys wear jeans 和sneakers, ‘jogging suits’ 和look like everybody at shows”

“I see, so it is an aesthetics 和form delineation that makes something 黑金属 和not Death Metal.”

“不,这也是他们的意识形态,这些人在反基督教,他们在寻找失去的维京人根源,等等,等等,等等。”

“那么,您该如何演奏Black Metal,然后再演奏Don Diego?”

“Because I 和my band are hailing Satan 和writing songs 关于 Satan’s triumph over the Earth 和killing christians.”

等等。我同意这一理论:每个人最初同意量化并限定乐队为Black Metal的想法是撒旦主题,概念或美学。当整个挪威/瑞典/芬兰“scenes”爆发,同样的撒旦元素非常强大。在某种程度上,这种分裂和断裂;狂妄的支流吹捧国家社会主义,中世纪的撒旦主义,异教,吸血鬼,种族灭绝,虚无主义,森林,迷雾等。一个人可以画出潮起潮落。这些动脉中的一些已经变硬,并且每一种形式都得到了巩固,现在可以安全地通过“they sound like.”

在这一点上,这实际上并不重要。 黑金属的血统是众所周知的传说,即使是耳朵后面的最湿润也能引用“Lords of Chaos:”

“Once upon a time, there was Euronymous, Dead 和Count Grishnack. Dead begat the germ that is 黑金属. Euronymous became jealous 和killed Dead for this germ [er, ah he committed suicide.] Count Grishnack killed Euronymous for, well perhaps just to get the next phase going.”

IF that is so 和Grishnack burned the chruches to wake up Norwegians, perhaps Euronymous’死亡是为了唤醒黑森州人,让他们思考这到底是什么。

他们中的绝大多数“使整个金属界意识到黑金属,”我仍然想感到他们相信某些东西,他们坚持一种意识形态。我想以为他们不是’只是开个玩笑而已,现在他们可以回到自己的九英寸钉子了。许多人放弃了最初以“高横幅”为名的名称,许多人只要看起来正确并播放听起来像的今天3d开奖号,就仍然会高横幅。‘just like _____!’似乎有很多人失去了信仰,因为金属具有宗教性质,所以人们有时可能会怀疑这种今天3d开奖号这种形式是否具有任何意义。有一些信徒,仍然还有一些信徒,这一事实对我而言将指出一个共同的真理,这一运动源于此。 黑金属的血统现在已成为传奇,我觉得以这种方式可以更好地发挥作用。至关重要的是,如何进行处理以使其保持生命力,繁荣和变异。

Movements pushing ideologies have crept in through Metal, the fanbase appearing as an untapped resource that many would like to exploit, be it financial, material, physical, political, religious. Movements within Metal have arisen 和now seek to creep outward, to effect 和depose the JCI society that seeks to ruin 和despoil what is being accomplished. There is a great war of hearts 和minds being waged 通过 those who want to keep Metal regarded as “frivolous.”

黑森州的智囊团飞跃了元哲学和元文化。我说“meta-”因为不幸的是,这种努力永远不会被认为是“legitimate” 通过 the current JCI society. Hessians, as a 元culture, truly global 和post-moral, operate in a closed system making plans for what should promise to be a 更好 future; unfortunately, this knowledge will always be suppressed 和disregarded, “边缘元素和部首的喧闹声。”这种指责仍然存在,主要是由平均年龄为20岁的未受洗的群众组成的。这些拒绝言论的人的潜力仍然存在,但仍然遭受着我们周围社会的有条件思想的困扰。十多年前,我认为黑森州的思想家并不像今天这样成熟。十多年前,提出的信息是“Party! Let’摆脱侵略{直到我们向社会屈服’的要求!}妈的,可能会有核战争!那’s bad!”今天,消息已更改:“社会破裂,必须放火烧死。从灰烬中我们可以以更有生产力的方式重建和前进,但是这样做需要将束缚我们的束缚和恐惧抛在一边,以便我们能够超越道德的约束而行动,不受阻碍。 ”

American society has never fully accepted evolution as a theory, where Europe seems more scientific in outlook. Does this affect cultural 和personal views of metal music, 艺术 和how to make it?

WRATH:美国社会也从未完全发展过,那么我们将如何开始掌握这些理论呢?当然,正如欧洲文化传播艺术一样,我们的补救文化阻碍了艺术创作。如果环顾四周,美国地下室几乎成功地将美国黑金属重新变成了死亡金属。这告诉你什么?这就是欧洲乐队及其心态吸引我们的原因。我们在该地区的旅行和苦难中进一步培养了这种意识,有时我不敢相信我们仍在同一星球上。有些人断言我们希望自己是一支欧洲乐队,我只能说他们一直在关注。

360.00 Universe itself is simultaneously unthinkable. You cannot think 关于 the Universe sum-totally except as a scenario. Therefore, for further examination 和comprehension, you need a thinkable set, or first subdivision of Universe, into our systems.
362.00 Our original definition of Universe is a finite but nonsimultaneously occurring aggregate of all human experiences, which is, therefore, a nonceptual total Universe. It is logical to proceed from this definition to discover the patterning characteristics of the first conceptual division of Universe into a structural system. After we subdivide Universe into systems, we will make further reductions into basic even experiences 和to quantum units. We will then come to the realization that all structuring can be identified in terms of tetrahedra 和of topology.

– Buckminster Fuller, 协同学

您看电视和/或电影吗?

SANGUINE: No TV. I would like to still watch movies, but I feel great pressure from within to make 更好 use of my time 和life’的能量,所以我通常弃权。

People have accused you of being an elitist. How do you answer that? Also, what is your 感觉 on the similarities 和differences between “musical elitism,” or really elitist meritocracy based on personal 艺术istic output, 和an enlightened sense of anti-social Darwinism?

瓦特:那些觉得我是精英人士的人通常是在我身下的标准卧底喂食者。这不是为了黑金属的目的吗?这种类型的现代迭代是对《死亡金属》的反应 ’s increasing lack of ethos 和liberalized sensibilities. Decrying elitism is yet another facet of our tailspin into the lowest common denominator. Musically 和socially, elitism is more necessary than ever yet there are so few genuine adherents to this mindset. Most 人 would prefer to be hypocrites or apologists rather than invest in the rigors of aspiring to something 更好. It is not a question of perfection, it is a question of consistency. It is no coincidence that as a band our appeal is selective, as this is what elitism requires. Pleasing everyone is for the MP3 bands of the world.

您最担心最近30年的哪些技术发展?

SANGUINE:微波,任何会破坏人体的物质’的电气系统。

宗教和/或流行的社会观点如何影响今天3d开奖号的创作?

WRATH:似乎驱动了很多频段以实现微不足道的输出。再次,如前所述,目前地下金属的最大问题是社会方面。如今,乐队比设定艺术目标更需要关注和验证。这肯定是要把马车摆在前面,但这是后MTV一代所期望的。仅仅拥有一支乐队是远远不够的。当我们开始Averse Sefira时,我们从来没有丝毫想过它会变成一种我们身边的人都会关心的东西。事实证明,在拒绝了一些唱片公司之后,我们最终自己发行了第一张专辑。对我们而言,这绝非要接受或受到欢迎,甚至现在,我们经常对来自听众的回应感到惊讶,甚至持怀疑态度。在金属中,纯粹的艺术目标越来越少见,我一定会同意社会应对此负责。在宗教方面’s effect, please refer to my earlier comments on chrisitianized 人 in metal.

您是否认为数字计算机提供了人类意识的任何模型,无论是局部的还是模仿的?

SANGUINE: Yes, in that they both have to be programmed 和once programmed, there is a great chance for corruption, viruses 和crashing.

有人说基督教的愿景“soul”无非是向往自我,尽管死了,但仍然渴望自我。你认为这是真的吗?自我也是自相矛盾的,因为它既有用,而且如果发生太多,则具有破坏性。是否可以从中得出一般原则?

瓦特:我认为灵魂是肉体的导航者,但是当肉体碰到尽头时,导航器也会熄灭。如果这不是真的,那么当我们身边的人死亡时,我们就不会为此感到悲伤。不管有没有来世,这有什么区别-我们现在在这里。我所知道的是,二元论者永远以自己的主张来揭穿,因为他们没有以不涉及恐惧或悲伤的方式处理死亡。如果另一生命直接在另一边等待,那该哀悼什么呢?

The 灵魂 seems to be the sum of its parts, both tangible 和intangible. One part cannot exist without the other. In terms of ego, you are correct that it is both an asset 和a liability. I myself have ego to spare 和I find it can lead to garnering great friends as well as bitter (if completely ineffective) enemies. In the more traditional sense, too much responding to drives, desires, 和needs leads to both excess 和even chaos. Chaos is sometimes good 和necessary, but it is well advised to be aware of your own role in its midst.

当人类毒害地球时,可能有必要从事太空旅行,在这种旅行中,人们不仅会被剥夺大部分自然生命的旅程,而且会因为其解体而与任何母体文化隔绝。他们在太空中。如果这些太空旅行者写哲学或今天3d开奖号,您认为会强调哪些想法?

SANGUINE:不幸的是,我认为他们会努力保持理想的“goD”尽他们所能。也将有生物学上的推动,以尽可能多的不同组合进行复制,以确保遗传存在。为此,所有母权制/父权制的惯例都必须废除,而传统的成对债权的观念也必须抛弃。每个人都必须与其他人一起繁殖,这个想法是“最好最聪明”已经被评估并选择“the species”(或其合并)将生存并颁布。鉴于太空船的供应有限和空间限制,必须对出生周期进行监管。一种新的文化将会兴起,并且它的各个方面,哲学,今天3d开奖号等都必须以育种为轴心,“降落时我们该怎么办?” 和Christmas…

In many ways, Americans are shown 通过 media archetypes how to grow up very quickly on the outside, leaving the structure behind emotions 和logic relatively unformed. What do you think are the benefits of this form of extended youth?

SANGUINE:一方面,延迟的开发对那些亲密的Geburah有更大目标的开发者有利。这些将准备将新社会带入明天的大厅。另一方面,过长的青年时期阻碍了那些拥抱猴子和猪的儿子的人,因为这些,JCI社会的绞肉机不断受到向前的压力。寻找地位的事物并发出警告,奉献由物质来衡量。他们疯狂地挥霍青春期,以求成年,到了后,他们充满了痛苦,内和憎恨,以取代曾经的一切。

尼采还谈到“eternal return,”或我们的生活只能活一次,并在人类意识中代表永恒的概念将是那一生的记忆的永恒循环-提供此愿景与基督教徒对单一生活随后是永生的愿景的形成鲜明对比停滞不前。在本文中,战线是在相信另一个世界的人之间画的– the dualists –那些相信现在就已经存在的人,因此现实世界中的成就比象征或宗教主张更为重要。您认为这是正确的吗,您在等式的哪一边?

SANGUINE:如果我们沿着同一条道路永恒地发生,直到启示的一切都永远地固定和不变,这会重要吗?戒烟与创世之间的过渡必然会抹去同一个存在的记忆和经历。不会承认已经知道的东西。这种保留的负担将开始负担在承担者上,以至于无休止的自杀循环很可能发生变异。毕竟,自然不仅憎恶真空,而且憎恶封闭的系统。但是,直到它崩溃,这将是美妙的。

WRATH:我同意这是相当准确的,对那些说:“well I dunno” when confronted with questions 关于 the meaning of life. I fall very strictly into the latter category, in that I believe the only guarantee we have in the course of existence is that we are living on this plane 和we have a certain limited amount of time to make the most of it. This is a shared idea within the band, which is why we do things like abandon gainful employment in the name of touring, etc. I believe one simply cannot put a price on life experience.

Do you believe in the 灵魂?

SANGUINE: After a fashion, yes. I also believe in a spirit. I think these are component parts that make humanity somewhat different from other meat. Not 更好, but different.

您有更高的权力吗?

SANGUINE:有时候。

There are a great many matrices 和states (altered or not, conscious 和unconscious) that interconnect 和overlap within 和without a single human at any given time. At least there are for myself. Think 关于 how often there are three songs playing in your head while you are driving almost from rote while mentally composing an essay or letter 和carrying out a conversation, all on three hours of sleep. And you still marvel at sunlight drifting through clouds. There are multiple attitudes 和thoughts you have towards a group of 人 or a single person, friend, enemy that you have when alone. These same orbits change when interacting with that person or when you are part of your own circle. They change again when you are forced into a job 和a group of 人 that you have nothing in common with, save civility. All this to say that there are many levels of existence, the stark material cannot be the sole.

Egalitarianism 和the 灵魂 are argued 通过 some to be necessarily codependent concepts. can you explain your views on this subject?

SANGUINE:他们希望所有人都平等,因为他们希望所有人’与其他所有人一样平等,重要和重要的灵魂’s。光荣的事实是,并不是每个人都做出平等的贡献,甚至不是每个人都做出了巨大贡献,认为质量而不是数量才是最重要的,这使他们成为“better”人(但仅限于自己,而不是他们高于任何人!)。光荣的事实是,并非每个人都很重要。光荣的事实是,有59亿人需要立即收获,而剩下的人只需要弄清楚它是如何工作的。

Many have for years stereotyped metalheads to me as angry, socially abusive 人 obsessed with negativity 和rejection, usually from reasons of low self-esteem. Another variant of this behavior is that at a party, often the loudest 人 are the ones with the greatest need to make their presence known. I never believed this, although I noted many 人 who fit this description in the metal community; however, it seemed that post-1998 this percentage exploded 和most of the smart 人 attracted 通过 the promise of early modern 黑金属 (1990-1996 Scandinavia) left the genre. Is this consistent with your experience? Why do you think this trend has come 关于?

瓦特:我不会’t say the smart 人 are all gone, they just have 更好 things to do than argue 关于 Sabbat with tech-school dropouts. I think one of the most damaging aspects to the genre was the way nearly all of the Norwegian front-runner bands managed 关于 two worthwhile albums apiece 和then launched into tangential bids for commercial success. Credibility was compromised, populism took hold, 和kids who wanted something more radical than mallcore crept in. At this point it seems that we have too many 人 who were supposed to have been listening to Iron Maiden 和playing Dungeons &龙进入并在黑与黑的所有事物上充当自我任命的权威。他们大多数人受伤,愚蠢,漫无目的,无能为力,或者上述全部。请参阅我的有关在要求光顾前不具备资格的评论。这不’尽可能多地应用于欧洲—他们的净重更难辨认,其中一些事实被证明是巧妙的欺诈。至少他们会更加努力。

您喜欢德克萨斯州的哪些乐队?

SANGUINE: Acerbus 和Absu. I also enjoy former greats such as deadhorse, Rigor Mortis 和Pain Teens.

Our entire historical cycle comes many years after the fragmentation of the Greco-Roman empires, but if looked at in the whole, is a progression from simple melodic lines to a sense of absolute melodic freedom; if looked at from a 元level, it is a progression from music being symbolic of an 艺术istic process (e.g. applied in theatre as did the Greeks) to music being symbolic of itself, at which point it communicates nothing other than what is inherent in the notes themselves. Clearly to the Greeks this would have been degenerate; the question is whether the cycle comes around to what they discovered, in which musical devices are fully known 和thus the only question is how to use music as a language – which of course, requires the language _describe something_. How do you think 黑金属 fits into this?

WRATH:看来,黑金属(Black Metal)的确以我们乐队制作歌曲的方式落入了“不和谐的小块”类别。在我们的作品中,今天3d开奖号绝对被视为语言,尽管我不’我们不同意所有乐队都对创作过程的这一方面有所了解,因此,我们拥有代表自身的简朴今天3d开奖号实例。永远被问到这不是巧合,“你的歌词是关于什么的?这个概念是关于什么的?”从第一天开始,我们的目标就是通过今天3d开奖号结构交流思想,否则意义何在?仅仅说说话或说出传达想法之间的区别无异。在《 黑金属》中,当乐队在采访中被要求讨论他们的信息或意图时,很容易将小麦与谷壳分离。如果答案是标准的低俗,全民首字母缩写,反对基督徒,社会和任何具有今天3d开奖号价值的乐队,那么很显然,他们并不是在传达实际想法。这对于新颖性而言是有用的,但它不会持久,也不会赢得值得拥有的受众类型。我认为,黑金属(Black Metal)在最好的情况下可以传达大量的想法,包括普遍的和深奥的。考虑一首像“我是黑巫师”及其预兆;这种体裁为超越观念和表达方式提供了很多机会。调色板非常宽泛,因此异化,厌世,渴望,激情,仇恨和惊奇的观念已经以任何其他今天3d开奖号形式闻所未闻的方式播出。重要的共同点是所有最好的乐队都开始交流。想想皇帝职业生涯的尽头-他们当时想说什么,而不是想停止?可以肯定的是,希腊人肯定知道什么使艺术变得重要。

如果您可以参加任何战争,那会是什么?

SANGUINE: I am torn between WWII 和Vietnam. WWII was the last great war of the 老办法; the heroic ideal as I identify it today was at its peak in so far as its iteration in that age. Vietnam is the first modern war 和there is still much to be learned from it. Vietnam was the war that reminded Amerika of its guerilla warfare heritage still struggling to implement lessons learned in a recent past. WWII hearkens back to 更好 times; Vietnam can teach lessons for our current paths.

您是否相信宇宙创造了自己,是从前体状态出现还是由迄今所知的任何因果状态所无法描述的机制综合而成?

SANGUINE: The recent detection of polarized echoes from the Big Bang seem to indicate that the Universe was born out of an indescribable mechanism, however there had to be some sort of existence of the raw potentials for such genesis. Endless feedback 和circular scenarios.

What do you think is next for 黑金属: will it continue on essentially a linear developmental curve, or will it mutate into another genre? Will it ever reclaim its original intensity?

沃思:这是一个真正困难的问题。现在的问题是,有两个地下室-传统的和真正的地下室,然后是喧闹而诱人的人气竞赛,像that肿的尸体一样浮出水面。考虑到这种差异,很难预测很多事情。许多乐队仍然高举旗帜“old ways”高,这些就是我们与之契合的乐队。考虑到他们的品牌,也许非法的一方会改变“black metal”实际上是旧的死亡金属和NWOBHM。描述这一切的最简单方法是地下回到地下,因此强度和激情从未真正消失过。我们所有人都有责任保持我们的体裁所能提供的最好的能力,使其远离那些会恶意和挪用它的人。这些天,我不愿在公共论坛上讨论我喜欢的乐队,因为我担心它会进一步吸引新奇的追求者和到达者。

For some, there are two kinds of 艺术: one that describes or laments the current world, 和another that brings forth a heroic spirit of change 和/or rearrangement of mental processing through which the user then sees the world. Which of these is your preferred mode of 艺术istic cognition?

SANGUINE: That which inspires transformations within 和without. There is too much “art” that is just “there;”没有目的,没有用,但是出于宽恕包含它的肉的怜悯“valuable.”对于他们来说,一切都是平等的。

Black metal has become redundant both ideologically 和musically in recent years. Many would say that ideology, or perhaps the pretentious portrayal of a facade, has become more important to 黑金属 musicians than injecting the true spirit of their unique perceptions into the raw force of music that they craft. Do you believe that this is true, 和if so, to what do you attribute this decline?

瓦特:我会说这是真的。这是一个很主意的想法。一些乐队带着概念和今天3d开奖号出现,表明他们缺乏理解,但同时他们也相信,所以这算是门面吗?我的长期抱怨是,只有一小部分乐队在组建自己的乐队然后传播其错误的解释之前会费心去充分理解艺术的本质。自80年代中期以来,我和Sanguine一直是头脑风暴,但我们还是花了一些时间来组建Averse Sefira,因为我们想做到正确,并且没有一个因失误而陷入困境的早期职业。因此,关于这种下降,您提到似乎赶上潮流的紧迫性可能是最大的罪魁祸首。

The song structure of your music often bears similarities to the thematic writing of classical composers. Do you enjoy classical 和romanticist composers, 和how do they influence your work?

We enjoy it very much. Classical music was some of the first music to which I ever actively listened, starting at 关于 age three. Sanguine is actually an even more avid fan than I, 和he attends concerts regularly (which is something I need to get back to doing myself). He also listens to a lot of film soundtracks that have orchestral arrangements. Beethoven, Wagner, Mussorgsky, Prokofiev, 和Mozart are all part of our musical landscape. Much of our arrangements, particularly on the last two albums, have been written with this paradigm in mind. It seems that 黑金属 draws upon classical much more than other forms of extreme music.

我在过去的访谈中读到您的专辑“Homecoming’s March” 和“Battle’s Clarion”形成一种神秘主义的复杂叙述,其灵感来自于卡巴拉神话中发现的材料。专辑似乎解释了某些塞菲拉从上帝领域的流放,他们在实现自由的最终行动中反抗了他们的创造者(如果我对此大错特错,请纠正我)。老实说,我还没有发现“四字法不规则 “and “Advent Parallax”适应这条情节线。这些专辑是否继续您早期发行的概念倾向?

有趣的问题,我’ve been wondering the same thing myself. For one interpretation of the first two albums, 我不’t think you’错了。最初,所有专辑都应归入主题主题,并通过多条思路编织在一起(链接在一起的歌曲,歌曲放置,嵌入的浅层命理学),以使每首歌曲在“correct order.” As evolution has occurred, progression taken place 和gateways passed through, old forms have been shed in favor of a refinement of original purpose.

Conceptually, the key themes from the first two albums are the same as the key themes of the latter two albums, just dressed differently. Creation springs from destruction in an endless cycle until the cycle is broken. The celestial becomes the terrestrial as the flesh melts away 和becomes spirit. The “I” at whatever level of consciousness(es), must come to grips with the process of change 和the consequences of transformation. Shaatialn.

鉴于“四字法不规则”在地狱的吼声中找到美;不和谐似乎受到抑制“Advent Parallax”. However, the anthemic melodies paint broader strokes, 和are much more pronounced. Was this a calculated progression, or did the change occur naturally?

的振动“四字法不规则”在描述精神的同时反映了肉体。“Advent Parallax”在反射肉体的同时振作精神。这些频率交织在一起有一个隐藏的目的,一个目的尚未揭示。有一个自然的计算导致了进展。它’追逐龙的全部。巨龙要么被抓住,最后的理解印记被打破,就什么也做不了,或者追逐者在被巨龙吞噬的过程中被打破,也没有什么可以完成。最后,只有空白。只有死亡才是真实的。锡比隆。

What particular forces introduced you to the metal genre, 和what were your initial reactions to it?

我被“我内心的噪音”正如Sanguine一直这样称呼它。从婴儿期开始,我就着迷于经典的古典今天3d开奖号和爱丽丝·库珀(Alice Cooper,比他的审美更重要),然后继续研究越来越响亮和恐怖的事物。实际上,当Motley Crue与“Shout at the Devil”,我断然拒绝了它,因为他们看起来像丑陋的女孩,这让我感到震惊和愚蠢。鞭和原始死亡/黑人很快就到达了我,所以我很快成为了所有著名行为的追随者,例如所多玛,凯尔特弗罗斯特,Metallica,Slayer,炭疽,Voivod等。今天3d开奖号是我生命中真正想要的。这不仅是今天3d开奖号,而且是一种生活方式。除了金属以外,我还有很多要向我展示的东西,但是如果没有它,我的现实将变得更加虚幻和激动。

Several 人 seem to recognize that the filth of the human race is clogging the pores of our land, 和in effect devouring the environment at an agonizing pace. How do you feel 关于 environmental concerns, 和those who advocate major change in order to stabilize the planet? Also, do you feel a deeper bond with nature than most around you?

Eliminating two-thirds of humankind from the globe would be a good start. I myself refuse to breed 和I wish more 人 felt the same. I have an appreciation for nature, yes, though I would be lying if I said I had a deeper bond. I spend most of my time in cities as this is where most of my necessary doings occur.

A splurge question, if I may. Reality is said to be the perception of your surroundings through your senses. However, the same stimulus can be interpreted in a vastly different manner 通过 the individual than that of their peers. Do you believe that what the senses experience is subjective, that these experiences define reality, 和if so, how do you believe one must measure the validity of their actions?

I suppose due to our exploration of metaphysics 厌恶塞菲拉 invites many existential questions. I believe in the idea of a consensus reality where everyone can agree on certain perceptions that are known to be true- the sky is blue, the sun is hot, we need air to breathe, etc. Of course past this consensus there are many vastly different realities in which 人 live, some to their own delusion 和detriment. But I would not agree that reality is wholly subjective any more than its governing factors of time 和space.

总之,您想向经常访问此网站的粉丝们传达一些特别的智慧或通知吗?

I’借此机会宣布“Advent Parallax”即将通过 Ajna进攻。支持这个出色的标签。也, www.josasmith.com 是他应该去看乔斯·史密斯(Jos A. Smith)作品的地方,因为他的作品装饰有“Advent Parallax”.

埃及文化是关怀的体现–这是距离的精神平衡–关心将来选择花岗岩或玄武岩作为工匠所表达的未来’的资料,在精心整理的档案中,在精细的管理系统中,在灌溉工程中。

Contrast with this the fact, symbolically of the highest importance 和unparalleled in 艺术-history, that the Hellenes, thought they had before their eyes the works of the Mycenaen Age 和their land was only too rich in stone, deliberately reverted to wood; hence the absence of architectural remains of the period 1200-600. The Egyptian plant-column was from the outset of stone, whereas the Doric column was wooden, a clear indication of the intense antipathy of the Classical 灵魂 towards duration.

– Oswald Spengler, 西方的衰落

所有照片版权© 厌恶塞菲拉 and Noektrymn.de.

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