死亡快车– 脑损伤 (2019)

之间的细线“quirky” and eccentric proves hard to spot, but with this NWOBHM revival with added melodic punk touches and yet a very old school sense of melody, 死亡快车makes itself eccentric in a way that the 古怪的 hipsters probably cannot appreciate, but might discover some quality music if they did.

像NWOBHM最好的曲调一样,Dead Express在吉他和人声之间切换旋律线,并随着音节的变化,扩展了人声的旋律方向,使其像另一段即兴演奏一样,仿佛铁娘子与后代一起写作一段基于即兴演奏的,悄无声息的关于逃避外界思想的声音之旅。

脑损伤 展示了一支乐队,该乐队知道如何淡化自己的优势,以使其模糊不清的类似朋克音乐的朋克音乐与重金属的影响平滑融合,并提供深度聆听体验,而无需对其表面进行戏剧化处理。这为经典的重金属理解奠定了大气体验的基础。

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