S.V.E.S.T.– Urfaust (2003)

垃圾

Playing a style of 黑金属 that became more prominent and perhaps common after the turn of the century, S.V.E.S.T.’s “atmospheric” approach is of the sort that creates a fog out of different layers of intsruments playing different notes to form dissonant chords and having the drums 通过 a vehicle for intensity. Although black metal per se has inclinations towards minimalism and ambience, this explicit brand of 大气的 黑金属 stretches song durations as long as it is necessary to induce the sense of evaporating time and alienating experience they are looking for.  While many different bands can claim to be part of this, very few retained an anchor in reality and still building something meaningful. S.V.E.S.T. Urfaust 是这样的专辑。
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深渊– 暨Foeda Sanie Ex Ore (2015)

盖

The brainchild of 雷克斯·埃夫布勒布, 深渊started out as a 黑金属 project in the mid-nineties, resulting in a few demos and finally its sum in 你的电话,1998年。过了一段时间,乐队再也没有了,Ebvleb独自保留着火炬。 Ebvleb厌恶以黑色金属命名的场景,将Abyssum带走了,甚至连标签都公开地认了出来。标签是它们的本来面目,随着历史的发展,除了给定学科中最坚强的学者以外的所有人,标签的含义都在改变,而独立的思想家和杰出的人则抛弃了这些,这是一个倒置的社会永远无法认识的。这个重生的深渊使自己与现在所谓的人群远离“black metal”保留了该类型的真正黑色本质,超越了言语和假装’克鲁斯瓦根,Antaeus’MkM和其他地下艺术家过去曾指出,这是一种生活方式和心态—不只是音乐风格
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